Tag: fashion

How I choose my colours for my knitting patterns

I use two types of motifs when I design my knitting patterns – Fair Isle patterns which are traditionally OXO patterns – if anyone tells you any different or says that they are knitting Fair Isle, mostly they are knitting stranded colour work, which is also wonderful but not culturally Fair Isle.

And my other knitting designs which mostly have Shetland motifs – which I colour blend.

My Fair Isle designs have been particularly colourful.  I designed the pattern as I knitted it and whilst I ran with the colours that I most love. Fair Isle motifs do not need lots of colour and always only 2 colours in each row.   But, there is a particular way that I combine my colours.  For example, for the Vest that I made for my sister, which is less colourful  than I would normally choose because I asked her what colours she liked and she said, black, grey, navy and  maybe dark red and mustard as well.   I started knitting the vest with the colours she liked best, black, dark grey and light greys for the bigger OXO motifs then used the navy or red or mustard for the smaller bands of motifs in between. But, then, I got bored so stared to add the reds and navy and mustard into the larger OXO bands – kinda forgetting any sort of order.   My favourite section of the vest is the part from the dividing vest at the armpits for front and back.  I used her colour choices but where I wanted, and if you look carefully, you can see that I contrasted the colours in each OXO band between motif and background.

we live in time exhibition piece
sisters

Here are some examples of my Fair Isle charts/ patterns – The Long Fair Isle Hat/Scarf and the Fair Isle chart.   If you would like to learn how to build your own Fair Isle vest or jumper from my Fair Isle chart, then I am running a workshop on how to do this on 15th March. 

Here are the links to the Fair Isle long/hat scarf pattern which gives you a full list of all the colours that I used as well as lots of clear easy to follow Fair Isle charts.

Here is the link to the Fair Isle Chart which gives you all of the colours for the jumper in the bottom image and also gives you full charts so that you can make your own jumper or vest. It is not a pattern.

The patterns that I make using Shetland motifs, for example the Kaleidoscope jumper, I blend the colours for the back ground and the motif,  I love colour blending.  I use between 3-5 colours in the background and 3 or 4 colours in the motif, which gives the knitted article more of a rich colourful knit.  I go for a glow. 

here is a link to my latest design – but actually, the Dear Susan, Easy Aran jumper pattern which is a very quick and easy knit, also has colour blending on the yoke, cuffs and above the rib.

All of my patterns give clear instructions which row to change your colours but if you would like to do a Colour Blending Class, I have one running on 14th March.

new online classes are here

My favourite way to use colours in my patterns is to blend them. 🙂 let me know in a comment how you like to use your colours. and if you would like to subscribe to my posts – just fill in the subscribe box below and you’ll receive any new posts.

Fair Isle Vest and colour blended sleeves for my 2nd Kaleidoscope jumper

I cannot wait to pick up my knitting again 🙂

間 （ま、Ma）は、the space between.

I have posted previously, that I am currently working on a textile piece called, ‘I Cannot Reach You.’ 

It is a piece about the space in the relationship between me and my sister. The knitted piece will also encapsulate the Japanese concept of Ma, the spaces in between 間 （ま、Ma)  the silences, the unspoken past, the misunderstandings in the past and present, it could be in the silence when I hear the sound of a cup being placed in a saucer during a visit. Ma is, the things we know but never say.

My sister and I were born eleven months apart, I on 26/06/1963 and she on 27/05/1964. Our mother dressed us identically for about 12 years until we probably tried to impress our own tastes upon the clothes we were wearing. At that time, my Grandad enjoyed the latest photographic technology available to a working class man – a small camera then a polaroid camera.  He took many photographs, particularly in 1970 when I was seven and my sister six years old.  In the photographs, my sister and I are beside each other but rarely touching – there is an unspoken physical and emotional space between us. All of the images were ‘set up’ in a way that my mother wanted to show that she dressed her daughters well.  In the empty space between my sister and I, there seems to be a lack of intimacy or connection, we are not smiling in any of the images.   I remember very little of growing up but I do remember the feel of every fabric of those clothes.  Clothes carry so many unspoken signifiers – wealth / or not, clean / or not, fashionable / or not, comfortable / or not. I cannot remember much about my childhood.

Here, we are ‘well turned out’, as my Mother would say.  For years, our Nana, my mother’s mother, knitted us identical cardigans to match the identical dresses.  She used the wool available to her in those days – nylon from Woolworths. 

For one month – from the end of May to June 2024, my sister and I are both 60 years old and are very much ‘like chalk and cheese’.  I love my sister dearly and carefully, and she loves me, but I cannot reach her. Our love is not one of laughter or discussion or going places together or tea time calls or spontaneous catch ups or quick visits or trips away together – it is one of careful organisation of a preplanned time and place and length of visit to suit my beautiful sister, who has begun to shut the world out. And, believe me, I can understand that.   I cannot reach her but I try.  I wait, I hope, I try to reassure but, all I can do is be beside her for just slightly more than one hour at a time that she can manage and I have learned to understand that gift of time. Being with her makes me very happy.

I have initially, knitted something that is recognised as a jumper but it isn’t only that.  The wearable, knitted jumper sits well within the intersection between craft / skill / materiality / wool/ textiles/ conceptual art / family / sister’s heritage and cross cultural discussion.  ‘I Cannot Reach You,’ is an expression of the space in between us, using the medium of a skilled knitting practice to produce a jumper, that could be for me to wear but that it has a name – ‘I Cannot Reach You,’ it has one sleeve knitted slightly longer than necessary, ending in a knitted glove. The second sleeve knitted in plaited and aran knitted stitches – I chose the Fair Isle for its intricacy and my love of Shetland culture and I chose the Aran sleeve to represent how I plait my hair. Giving the jumper a name, never wearing it and placing it upon the wall, makes it art, right? Textile Art. Now, I am knitting a matching jumper in identical patterns as the first 100 colour piece but this time, it will be knitted in the colours my sister likes, with a blackberry or plain knit sleeve to relate to my sister and how she wears her hair.  I hope that one day, we can both wear our respective pullovers and stand closely side by side. Without a space between.   But, at the moment, I feel that when the second pullover is finally finished, both will be hung side by side, not touching but with a space in between. Ma 間 （ま、Ma) 

If you are interested in the Fair Isle Pullover worksheet, it is here in the link

https://www.ravelry.com/patterns/library/fair-isle-chart-2 you can knit it for yourself in any colours that you choose. I would love to see your projects, please use @traceydoxey on instragram, then I can see your project oo.

I look forward to showing the two pieces together but for now, I am busy working on the 2nd piece.