Kyoto Baby.

On the way back to the Kyoto guest house, as the light was fading, I passed a small shop in Gion. The front was covered in a grill, at the door, was hanging a traditional Japanese door curtain (Noren).  I was only 3 days into staying in Kyoto and had no idea what the little place was, but, I could see a bent woman, working at a table under a light. A small gap in the grill showed a flash of crimson framed by the window.  I watched the woman carefully sewing, and, as is my habit, I wanted to know more.  At the window, I gestured to ask if I could enter the tiny shop.  The Noren, always bending the guests as they enter.  I, making no exception to this, bowed as I entered the tiny shop.

Inside, the space, the only thing I could see was the colour in exquisite Japanese silk Kimono taking up the entire huge table under the window and the woman standing beside it.

 

Crimson, peach, orange, ginger, cherry, turquoise, gold, purple, mint green patterned silk covered in cranes (symbolizing honour, good fortune, loyalty, and longevity) in flight shone under the sewing light.  The seamstress was hand sewing the great, padded roll of crimson at the hem of the Kimono.  She explained with few words and many gestures that it was a wedding kimono and entirely hand made by her.  She exuded the gently quality of unassuming dignity. A craft master who had probably worked at that table, under the window for decades.   I was awe struck by her skill.

I returned to the shop a number of times whilst I was in Kyoto – the last time was to show her my ideas to knit using colours that were inspired by the exquisite silk used in the kimono.  I particularly noted the thick crimson roll at the hem.   She understood what I was trying to do but must have thought that my swatch book was rather naive to her own skill, though she never showed it.    We passed small talk about colour, each using our own languages, understanding little in words but everything in the action.

Before I went to Kyoto, I hoped to live in a space between ‘Balance and Beauty’ and here I was, at that exact place.

This little pattern is the result of that experience and inspiration of colour.  I swatched for colour in the little guest house, I swatched the colours in the Sky Garden on the 11th floor of Kyoto Train Station, I swatched in many of the Zen temples whilst viewing the zen gardens. 

This little hat pattern, brings together some of the colours that I found that day.  It is called Kyoto baby.  It’s very easy to knit. The rib is an easy left crossing cable in Crimson to emulate the padded hem of the wedding kimono.  It has a simple Shetland flower motif.  The pattern has 14 colours related to the Kimono but it can be knitted simply in 6 colours.  All the information is in the pattern and it was a joy to make.   It is modelled by a beautiful little Sheffield girl, whose name I will keep a secret.

Kyoto Baby is here.

https://www.ravelry.com/patterns/library/kyoto-baby

there are a number of colour options in the pattern. I swatched for colour and so did my lovely test knitters. Shona Brown In Nova Scotia is has test knitted the baby beanie. – Thanks, Shona 🙂

The adult pattern will be out next week – Let me know what you think –

Kyoto baby

Author: traceydoxeydesigns

Site specific Artist using own created textiles, laser cuts and hand block printed wallpaper to engage with narratives of landscapes, social history and place.

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