Fair Isle Knitting – tracey doxey

Experimenting with colours that you love.

Tell me …. What is it that puts you off using or experimenting with new colours in your stranded colour work project?

I’m currently in Fujiyoshida – a town at the base of Mount Fuji, for 28 days. I’ve been knitting my Tree and Star sleeves with an idea to add them to a fabric body. I bought a couple of Kimono from the flea market at Hanazono Shrine in Tokyo but the fabric doesn’t work for a body with these sleeves. So, I may knit another Kaleidoscope jumper body using 3mm needles so that all the people who wanted a larger size can see how a needle increase from 2:75mm to 3mm will make to the overall size. Would that be of interest to anyone who was hoping for the next size up?

I am using my stash yarn as evidence of a journey in colour. A journey that anyone could do with their own stash. I kept knitting this motif in different colours because I couldn’t settle on just one. Each version felt like a different mood—quiet, bold, playful, grounded. The first colours of brightest pinks with my initials and the year 2026, when the project will be finished, felt like really owning the sleeve as – not just knitting but creative freedom.

That’s when I realized the pattern isn’t about my colour choices at all. It’s about giving you a place to try yours. I would like to invite you to have a look at these sleeves and think of the colours and if you were going to knit the same jumper – which ones might you give a try.

When I lived in Shetland, my knitting patterns and their colour choices were devised around the wild Shetland landscape, the croft house that I lived in and the woman who had lived in the house for 83 years until 1960. But now, the Kaleidoscope jumper has been more playful, named after my own kaleidoscope at home, which has a great big blue marble at the end.

Kaleidoscope

Would you like to try this jumper pattern for your everyday self—or your future self? I am wearing this jumper daily in Japan – it matches the sky and I am having a lot of fun wearing it with the matching hat and a tweed jacket. On Sunday, we all (from the residency) did a drop-in session for anyone who would like to knit or weave or trying punch needling. So many people came to see us including some Tokyo Fashion guys who wore all black, all brown or all Navy and I suggested that they needed a little colour – like a Fair Isle vest just showing through their dark colours -for every day. They were very interested in the colour idea.

The motif repeats consistently and the colours can be swapped without recalculating the whole pattern. I designed this so colour changes feel playful, not precious.

The pattern doesn’t ask you to commit to one look—it gives you a place to experiment. To trust your instincts. To surprise yourself.

If you want a project where colour gets to be personal, this one might be for you.

Swatch your colour ideas first – always swatch for colour to see what works and what doesn’t – for you. Keep the motif and the background colours with enough contrast so that the pattern is not muddied. And just experiment – this is the perfect motif.

Experimenting with colours that you love.

Here is the Kaleidoscope Jumper Let me know in the comments if you have bought the pattern and are still considering the colours you might choose.

Here are the Tree and Star sleeves which are alternative sleeves to the Tree only sleeves in the original pattern.

Let me know what you think about your colour choices.

When I am lost, I go to the stones

Kaleidoscope Jumper

When I am lost, I come out here – to the base of Stanage Edge where the millstones lie. I eat breakfast and feel the gentle breath of a breeze. I can see for miles out towards Hope Valley, the stones are ancient – have been pushed and fallen, the rocks well climbed by amateurs and professionals alike and the paths well walked.
I have so many creative ideas that they are bursting and I’ve stopped to a point of disconnection because I measure myself by reward – but this place, this earthly place brings me back to me, to a core that I hadforget. The stones make me care again, connect and contribute to my creative process. I cannot compete with the millions of knitting patterns pushed out into the world that are for sale, nor do I want to but I know that this Kaleidoscope pattern is a very good one.

When I meet the millstones and the old stone trough, I knit, I eat, drink tea and I am grateful for my thoughts. I have had 3 ideas to put togethere with my Tree and star new sleeve and you will have to wait until I have finally made my choice.

I am heading to an artist residency at the base of Mount Fuji for the whole of December and I am working on a piece called between Silk and Paper, drawing on the Japanese concepts of Ma and Mono No Aware – You can read about it here

I’ve been working on the materiality of the pieces

But for now, I am very much enjoying my new knitted jumper – you could too, use your stash, make it yours, go out into the countryside and knit

Kaleidoscope Jumper

Bolt-on, Tree and Star sleeve pattern.

Above is an image of the alternate sleeve to the one that is included in the Kaleidoscope Jumper pattern. It is a Bolt on pattern called – Tree and Star Sleeve. Below are reasons why I published the pattern with Tree sleeves charts only and why I am producing a 2nd bolt on sleeve pattern.

Below are A Few Notes from the last page of my Kaleidoscope jumper pattern to explain some of my decisions.

Why is the Kaleidoscope Jumper pattern one size only?

It iis one size because the motifs of 44 stitches, dictate wherre the pattern lies – to increase the size, I would have to add one more motif, change where the neck lies in the pattern and calculate additional decreases at the shoulders and it would go on and on. I t would take e 6 months to make different sizes. I am just one person without tech support. It is actually easy to increase the size by knitting the jumper in UK 3:5mm needles rather than UK 3mm

Why did I knit the sleeve in the round from cuff up then graft it into the armpit?
Here’s the reason that I did the sleeves this way. Initially, I picked up the stitches around the arm hole to knit the sleeve in the round from the shoulder down to the cuff but I realised that if I knitted the tree motif, from the trunk first, as usual, the trees would be upside down, ending with the tree top at the cuff. So, I turned the motif around and swatched the tree from its top down the trunk base so that I could knit the Tree only sleeve from the armhole. But, knitting this way resulted in the stitches of the tree motif being visibly upside down starting from the shoulder, and I didn’t like that either. You can see the swatch on the right and how the stitches are visibly the wrong way. It is possible to do it this way but it will always look somehow upside down. But, if you want, you can knit the Tree sleeves from the armpit down to the cuff, with upside down motif stitches, it is your choice.

_{note upside down stitches}

So, I knitted the sleeve in the round from the cuff up then joined it at the arm hole by grafting it expertly into the armpit hole. I needed to explain why I knitted the sleeve this way as it might seem a little weird but the result is perfect trees knitted from the cuff up and all the stitches are perfectly the right way. I thought that doing the sleeve this way is worth this extra consideration in the name of neatness and accuracy

Why does this jumper pattern only have Tree sleeve charts?

I did a poll on Instagram and my website to ask what people which sleeve they would like for the jumper pattern. Hundreds of people answered. The options were: – 1: – just Tree sleeves or 2: – just Tree and Star sleeves which are the same as the body, or 3: – Both sleeve charts. Most people said that they would knit 1: – Tree sleeves only, but some wanted both charts, just in case. When asked if those people would consider paying more for the option of both sleeves to be included in the one pattern, even though there was more work charting a 2nd sleeve, knitting it, and writing a full pattern, they mostly said no. So, I have happily knitted Tree sleeves in my Kaleidoscope jumper because most people requested this and the Trees look a wonderful companion pattern and compliment the body.

What about the Tree and Star sleeve? Where can I get it?

My test knitter has knitted the Tree and Star sleeves, which are the same motif as the body. The Tree and Star sleeve chart pattern along with the Sanquhar alphabet pattern to enable you to add your initials and year of knitting to personalise your work, will be released separately to the jumper pattern, as an add-on so that the knitter can make their own choice of sleeve. The name of the bolt-on pattern will be, Tree and Star Sleeve Pattern. The reason that this is a separate bolt-on pattern, is because of the extra work to design, create and knit it as well as write the intricate charts and pattern notes. Plus it gives the knitter the choice to just pay for the original pattern or pay extra if they want and extra design.

So, if you would like to buy the Kaleidoscope pattern, it is here

I am also knitting a swatch of how to add your initials and the year when the jumper was made, into the sleeve, just above the cuff, in the Bolt on Tree and Star Sleeve pattern that will be out this week.

Thank you to everyone who has bought the Kaleidoscope Jumper Pattern it is here, if you want to go check it out.

Let me know what you think about the options for a 2nd sleeve pattern.

Kaleidoscope pattern update

Thank you to everyone who commented on my Instagram post on July 30^th when I asked what sleeve you would most like me to finish my jumper in, as I had already knitted the 1^st one in Trees only, not tree and star, like the body.

There were many comments to say what sleeves you’d like to see as the second one, on my latest Kaleidoscope, jumper design. To be precise, I had 166 comments and 544 likes on that post. I also added a poll on my Instagram stories to ask the same question, and below are the results for that.

So, for the first time, I actually did a real research survey to find out what you wanted. The results were really interesting.

The overall winning suggestion was that most of you just wanted Tree sleeves only in the pattern, just as I had already knitted with the first one, but a lot of you thought that I should add the alternative ‘Tree and Star sleeve chart’, to give the knitter options but some of you said that you wouldn’t pay extra for an additional sleeve pattern design even if it took me days to chart , test knit, write the pattern and instructions. This I found quite disheartening as the Kaleidoscope pattern is my most adventurous and my most perfect and I wanted to release it with 2 sleeve options but if people don’t want to recognise the work in that extra design, I have made a compromise.

I will release the Kaleidoscope jumper pattern within 2 weeks week AND I will follow up with a ‘Bolt-on’ pattern which is a chart of the alternative ‘Tree and Star sleeve, plus a Sanquhar alphabet chart for you to be able to personalise your knit with your initials and date above your cuff. This way, I will produce a beautiful pattern with the sleeves requested by the majority in my surveys. And, I will have an additional bolt on pattern with the 2^nd sleeve. The bolt on pattern has more work than a hat pattern and deserves to be recognised as a design in itself.

It’s 3 months since I started the project on 10th May. Not bad for a fast slow knit.

Please comment on what colours you’d like to see this jumper knitted on
I’m excited to bring this pattern out.

Below are a few comments from Instagram. You can follow me here on instagram for more updates and lots of photos

But, I think that the best way to find out about the pattern release, is to become a ‘friend’ of mine on ravelry, then I think you get an update when the pattern is published

Oh, I knitted the second sleeve in Trees only, and I am almost ready to graft the 2^nd sleeve into place, here is a video of the graft after I took the risk of grafting the sleeve into the armpit with double yarn for strength. I am most happy. The jumper has grafted shoulders, the sleeves expertly grafted into the armpit, a mitred V neck and the option of 2 different sleeve patterns plus a Sanquhar alphabet to knit your initials and the year into the design. I hope that you will knit it and make it personal to you.

My test knitter is knitting Tree and Star sleeves to match the body AND, I will also knit a Tree and Star sleeve with my initials and the year knitted into the work too. My test knit will be yellows and greens.

Let me know what you think in comments. Join me on Instagram to get more frequent updates and join as a friend in Ravelry to hear when the pattern comes out first.

Also, if you do want to, there is still the Tree and Star hat pattern to knit before the jumper, to get used to the motif, or after, to have as a twin set. I can’t wait to wear mine.

Just a few comments from my Instagram post asking which sleeve you would like to finish the design.

First of all: what a fantastic pattern! I love it!
😍😍😍 For me, I’d choose option 1, trees only. But I think I’d include both options in the pattern ❤️

Hi Tracey, I would probably knit the trees/stars option but would like to have the tree option open until I get to the sleeves in my project. And I would pay the double if that idea what it takes.

When will the jumper pattern be available? I will be in Shetland on 11-18 Aug and would love to know the amount of yarn and color codes to be able to buy yarn with me home to Denmark.

Hi Tracey! It’s a beautiful design 💙 I’m not in the position to be taking on a large project at the moment, but I’d choose Option 1. I do love symmetry. I’m not sure how many would be open to paying more for a potential 2nd sleeve option. But, if you design another sweater in the future in the same gauge, perhaps with a round/crew neck, or a cardigan

Choices! I’d probably like both sleeve designs because I’d be tempted to do one sleeve of each pattern 🧐 I like the deliberate similar but not matching!

I love the tree sleeve! As much as I’d enjoy the options I know in my heart I would still pick two tree sleeves. I’d also pay more to have the options. Could you release a second sleeve option as an add on pattern later to cover your work?

Could you sell a tree sleeve version and a tree and star only version as separate patterns, or charge a bit extra for a sleeve add-on? A tree only (including body) pattern would be great too

Trees for me as first choice ❤️❤️❤️

Trees on the second sleeve as well !

Both please Tracey

Trees only add a lovely interest.

I would love your new pattern to offer both options. Personally I think i would like the combo best but it’s a rare treat to have a choice. Keep up the good work my flower!

winner chosen. I hope that you’re all up for buying this exciting pattern

Hi! Such a gorgeous jumper! I probably would go for trees on both sleeves. The colours are amazing!! 😍😍😍

Kaleidoscope pattern details

I am almost finished knitting my new design. It has a lot of gorgeous features. – Grafted shoulders, a beautiful mitred V neck band and I have just grafted the first sleeve into the body of the armhole.

I normally knit my sleeves by picking up stitches around the arm hole then knitting down to the cuff, but the reason that I grafted the tree knitted sleeve into the arm hole, is because I knitted it in the round from the cuff up and then worked the finished sleeve into the armpit. The reason for this is because I did a swatch of the tree motifs and to get them standing the right way, (trunk at the cuff end of the knit) if I was knitting armpit down to cuff, I had to start knitting the tree from its top. This is quite an easy thing to do. But, I realised from the swatch that if I knitted the trees from the top to the trunk, starting at the arm hole down, the stitches would be upside down and that really annoyed me. Here is a swatch of what the stitches would look like if I had knitted them from the armpit. Can you see that the stitches are sitting upside down in the tree motif? And to the eye, it would look a mistake when the whole sleeve was knitted and it would really annoy me.

So, I have knitted the sleeve, in the round from the cuff up to the top and it was an absolute pleasure. Detailed images will be in the pattern of the joining seam and how it looked when finished and I will release videos on how I grafted the sleeve into the arm pit.

The question is now that I am undecided whether to do a 2nd tree sleeve, which would look harmonious and cute, or shall I knit a sleeve with the tree and star motifs from the body? Or would you prefer both options in the knitting pattern so that you can choose to knit either one design or both?

So, I am having a little ‘win the pattern post on Istagram’ Anyone who comments on my post which one they prefer will get a chance of winning the pattern when it is released.

My instagram is @traceydoxey and you can let me know your preference on the post for a chance to win.

If you would like to knit this pattern but feel a little daunted, you can start very simply with the Tree and Star hat pattern which is in the link here

I am really excited about this pattern, so much care and attention has gone into it. There will be pages of charts to help you get your motifs, V neck and armpit decreases in the right places and options – for you to choose yourself to make the design more your own.

Let me know your thoughts on the pattern and if you are hoping to knit it. here is the instagram page to join in giving your idea of what the 2nd sleeve will be

Peaceful ness

For some time now, when I wake around sunrise, I look at my wall.

This is my wall this morning, as the sun was rising higher, around 6am. I have an old hand sewn cut work lace panel in the window. It doesn’t fit properly, it is pinned into place and it looks a little scruffy, but on the whole, the overall effect is that it casts a shadow across my wall every early morning. Without thinking, I turn to look at the wall, or my cat and I feel at peace. Something I realise, I did not feel many mornings when I lived in my beautiful croft house in Shetland.

the thing is, I no longer live in my dream house but I feel calm and peaceful and can live with autonomy in this city. I can also leap, when the time is right.

Here are some of my first sights in the mornings

And, if I look the other way, this is often my first sight. The one of Alfie was taken at 6am the morning before the day he died, and there he was just purring and looking at me.

Tiggy hears me wake and throws his upside down head at me wanting to be loved. And this is peace, and love.

I saw a Japanese word this morning :- UKIYU – it means, Floating World – describing the fleeting beauty of life and the art of living in the moment.

I find that just looking at the shadow of the cut work fabric, falling across my wall is such fleeting beauty that I have looked at it over many viewings totalling many hours. It is peace.

Thank you for your continued support. Happy summer, Tracey 🙂

I Cannot Reach You

I have finally finished my knitted piece.

It is called, ‘I Cannot Reach you.’

It is a piece about the space between me and my sister, born 11 months apart.

It has been one year in the making.

It is love.

Our mother dressed my sister and I in identical clothes for about 12 years until we found the voices to be different. We were born in 1963 and 1964. You did what you were told. And, we were told. Clothes say so much about the wearer, about the social history, about what people what to portray, about many things.

My nana knitted us identical cardigans – probably for the same amount of years. But my sister and I were very different people. And we are very different people today. I am not sure if differences in kids was either an accepted or a noticed thing in the 60’s. It certainly wasn’t in our house.

I will knit another piece, in the colours that my sister likes – Black, Grey, Navy, Dark Red and Mustard and place it alongside this piece, made up of over 90 colours and I will hang it beside this piece. I am interested in the Japanese concept of Ma 間 the spaces and the silences in between all things. when the 2 pieces are placed alongside each other, they will show the spaces between us.

For now, this peice will be entered into the Harley Foundation open, because I am regional, because it is art, because, it is love.

On a practical level, I will be starting a knitalong for the Fair Isle worksheet that accompanies this knitted pullover and will email everyone who has bought this pattern to ask if they/you would like to join a free 1 hours zoom session on the worksheet and how I made the pullover with a Q&A, so that they / you can join in the knitalong and use the worksheet to your advantage – to make what you want – hat, scarf, vest, pullover.

If you would like to join me, I will be starting in about a month.

Here is the link to the worksheet.

https://www.ravelry.com/patterns/library/fair-isle-chart-2

And, thank you to everyone who has bought it, I hope you will join in on this community knit along with people joining from all around the world.

Sea Urchin Hat pattern

January 2024

I thought that it was the Sea Urchin hat pattern’s third anniversary, but, because we slipped into 2024, when I was in Japan, I finally realised that this unassuming first design pattern of mine, is a big FOUR years.

I gave it the name of Sea Urchin Shetland pattern, after collecting Sea Urchin shells in Brindister on the West coast of Shetland in the December of 2019.

There were so many on the hills making the lunch tables for wild birds to crack open sea shells, that I began to call the place, ‘Sea Urchin Hill’.

So much has happened since the inception of this little beanie pattern, that I had already been making up in vintage tapestry yarn for some time. In January 2020, I formalised the pattern a released it. I didn’t know about test knitters or pricing or anything, and it flew. It was the colours, you see. I made the pattern beanie up in my very first use of Jamiesons of Shetland, Spindrift, after returning from 2 months of living on Fair Isle with Mati Ventrillon, as intern, at the age of 56. It was around that time, after many visits to Shetland, that I began to feel at home there, and think about moving to the islands.

I look back to the time of writing and designing this little pattern and now see that is it was the Kickstarter to my creative design process – the beginning of how I saw colour in knitting and how I began to blend those colours. The pattern became incorporated into my online colour blending workshops and was the possibility for a new me.

I designed the pattern on the doorstep, out back of my Sheffield flat using the yarn from Jamieson’s, posting little posts on Instagram, building what I didn’t realise then, was an interest in the pattern and in my colour ways. I began dreaming of living on an island 60degrees north. (the full story unfolds here and you can read Aug – January of the book I wrote, if you join us on Patreon now – then each month will drop on the 1^st of the month) and enjoyed how I mixed the colours to sing.

It makes me really happy to see this pattern interpreted by knitters in their own colours, some of which are included here. If you have knitted this pattern, please tag me in your posts so that I can see the results.

Here is the little pattern.

Just think, you never know where knitting can take you. It is all interconnected and all a journey .

Thank you to everyone who supported me in 2023.

Tracey 🙂

Sea Urchin- a hat, a story, a pattern and a design.

Knitting has always been at the base of my creative practice. After spending over 2 months in Shetland, I have just developed a pattern, design sheet, story for any knitter to make. But the design goes back at lease five years to when I first started making this hat. Here’s a new hat and a new story.

Dear lover of yarn and of the tactile act of knitting,

This hat design has been long in the making. I’m producing it as a design sheet because the pattern can be followed to the stitch and colour, or you can use it as a springboard to develop your own ideas by choosing your colours and even a different tree and star motif to the one I have chosen to incorporate into your hat pattern – you can make it your design too.

Over the years, I’ve made this hat using varying yarns and colours. I’ve blocked it in to a shape that resembled a slouching hat or a kind of beret. I still have two of these hats from 2015, and I’ve worn them in all weathers and in many countries. I’ve left one and lost it in places but I have always retraced my steps and gratefully been reunited with the hat that now is part of me every winter.

Seeing the photos of this early hat, I see a different shape entirely to the one that has morphed and shaped to my head through being soaked in gale force rains, being stuffed in pockets and in bags and left for months in a drawer. In November 2019, I was living in Brindister, West Burrafirth, Shetland and wore my old hat every day whilst walking around the voe. By now, its shape had morphed into a basin shape and I felt lost without it if I ever forgot it any winter day – especially in the piercing winds.

In Brindister, when walking around the voe, I started to find sea urchin shells which had been discarded by the seagulls. Finding the first one was like finding the first four-leafed clover when I was a kid. For years, around the ages of 9 – 13, it became a solitary past time of mine to go in search of four-leafed clovers from near where I lived and then I’d press them in books. For years, when opening a book (there weren’t many in our house) dried 4,5,6 and 7 leafed clovers fluttered to the ground. Finding sea urchin shells at Brindister, became my new four-leaf clover hunt and I became obsessed to find a perfect, un-smashed, complete one. I gathered too many to carry in my hands and used my hat to get them back to the croft house and this is when I saw similarities both the shape of hat and crown design and the 5 segmented pattern on the urchin shells.

November 2019, Brindister, West Burrafirth.

Over the last four weeks, I have made a new pattern / design sheet. It tells the story of the updated design and opens up the opportunity for the knitter to use the pattern as a springboard to create their own hat design. Without knitting, I would not be the maker, designer, creator of art that I am today. Knitting is the very foundation of my creativity.

The pattern is here if you want to have a look.

https://www.ravelry.com/patterns/library/sea-urchin-shetland-hat

Fair Isle grass knitting

Fair Isle grass – a knitting resource to hand.

The light in the croft house dims sooner than at Mati’s house. The croft’s windows dictate the change in the amount of light within. Two – feet deep walls hold the place up. The deep walls narrow into the windows – each of which look out to every corner of the globe on this island which is only three miles long. I look out south-facing to the light house and gauge the weather by the grass waving or whipping in the wind and by the waves crashing or ebbing on the sea.

The intention is to leave no rubbish after my 9 day stay here. Everything has been bought at the one and only shop at great expense. Everything has come a long way and been handled by much transport – even from Lerwick, either by the local plane or boat from Grutness. I hand picked all the vegetables and packed them in brown bags. All of the peelings will be saved for the pigs at Mati’s, which are owned by four people and brushed by Saskia. I’m learning about animal behaviour from those pigs. They have grown from shy piglets arriving in a cage to grunting and squealing with anticipation at their one and only priority – food. One even bites the other.

Even after 3 weeks, Fair Isle is now so deep in my soul that I already miss it and yet I am still here – how can that be? I miss the island when I am deep in the moment of it. It’s like I don’t want to lose it or I can’t lose it for to do so, would be to give up on a life less ordinary.

I’m here with Mati as a knitting intern, (maybe the oldest intern in the West at age 56) I’m learning a lot, not only about knitting but island life, the sea, the wind, the land, grass, animal behaviour, the sun rise and whether the plane will come. Where can ‘A Body’ see an unbroken horizon at every window without hesitation. At every lift of the head, a huge deep basin of silver sea greets you. Seeing the sea, hearing it, tasting it makes it seep into your soul. The nights are so pitch dark that my heart quickens at the deepness of the darkness, when I open the door. Nothing can be seen when ther is no moon, except the light house light but even so, it adds to the eeriness of being able to cut darkness with a knife.

There is a book full of old images of Fair Isle islanders here. I look at the women’s expressions and how they stand unquestionably, stoically face on. They are all working hard with oxen, ploughs, knitting, or peats. Maggie Stout of Shirva is the woman that interests me the most. I cannot stop looking at her looking at me. I can almost feel the middle parting of her black hair with my finger – it is so pronounced. This place I am living has a long history. You can find it easily. It is written across the stones in the grave yard. On a wet Sunday afternoon, I look for Maggie on the stones. It’s beautiful. The names are listed on the stones, where they lived and who they married. Women appear to bear their maiden names even though they are married. History is tangible here, as across all of Shetland. How many women moved a curtain aside to look out to sea and wonder about their men out there, wondering about their safety and return. The weather changes at a pinch. The stones bear many stories of death at sea.

In this place are larger than life ship wrecked items of great beauty – two identical figurines and two mismatched simple chairs which add character and richness to this small croft house that I am staying for 9 nights.

On the second day, Marie and I cut tussock grass, which is growing just below the chapel, with house scissors. We bag it. I want to knit it and make a lace curtain from its yarn. I’ve long since loved Shetland grass which grows at great length untouched, untrodden on and forms in dune-like shapes carved by the wind. We cut it without knowing its possibilities or strength. I spend 3 days and evenings plaiting the grass into a long length and a ball of grass yarn. The grass is strewn across 3 floors and stuck to everything. When knitting and unknitting, because I am dissatisfied with the results, the grass yarn bears the memory of the stitch.

I am using the resources of the island to create something to connect both with the island and with the age old practice of knitting in order to make site specific / site responsive work back in the Shetland landscape. It will be about the women knitters and a skilled craft that when placed within the landscape, will create a personally constructed context or narrative. My work is created around the theme of gendered women’s creative knitted work that is often undervalued and underpaid. I work within a place to learn the skills embedded within that area and I position my work back into the landscape to connect place, time, history, women’s craft and that pure moment in the present. If it works, for me, there is a distillation of experiences.

As I am working with the materials to hand – grass – and the thought of the women who lived in the croft houses here and how they knitted to subsidise the crofting income and how they dressed and looked in haps – I will choose to knit a hap lace edge and find the right window to place the lace knitted grass. It will be a window that women will have looked out of many times, over many generations whilst working on a croft in Shetland.