knitting pattern – tracey doxey

Dear Susan

Surprisingly, yesterday, someone bought my east to knit, Aran , Dear Susan, Jumper pattern. I made this when I lived in Shetland and the entire piece is dedicated to the woman that lived in the house that I bought.

This is a beautiful, quick, easy knit yoke pullover, knitted in Aran weight yarn. It is entirely inspired from my living in Shetland with the landscape, the sea, the weather, the house I bought – and is a letter to Susan Halcrow, a woman that lived in the same house from 1876 to 1960. ‘Dear Susan’

The pattern (which is here) has a 12 page letter/story dedicated to her which is where the name of the pattern comes from

I originally knitted this pullover in spindrift yarn in the summer of 2021 but this jumper / easy pullover, has been knitted for Winter in Aran weight and is a fun, quick easy knit.

It is one size and fits many people. You can lengthen the body if you require.

It is knitted using 4mm (US6) circular needles and 2:75mm (US2) for the sleeve cuffs. It has been knitted by 4 test knitters – from a complete beginner to very experienced. Some of the test knitters went rogue with their yarn choices and the outcomes are lovely.

You can also make it a little larger by using 5mm needles – as one test knitter did.

Yarn:- Jamieson’s of Shetland Aran weight Heather yarn.

My test knitters used lots of different yarns and you will see this in the projects. You can try your Aran wight stash.

There are coloured charts, photos to explain how to do some of the stages and indepth fully written pattern. (23 pages in all to this pattern) 9 pages for the pattern –

Additional, to the pattern is a 12 page story/ letter dedicated to Susan Halcrow – Dear Susan,

here is an extract from the end of the letter after many months of research and living in the house …

(May 2021)
Dear Susan – friend – may I call you friend?

I imagine you looking out of the South Bedroom window as I now do. The early spring evening light is illuminating the edge of the land, holding back the blue, blue sea.
Would you have lit a fire in hearth in this bedroom beside you? I can see you putting the animals to bed – the cow in the barn (now derelict) the sheep in the field (now overgrown) or letting them out on the first clear break after 5 days of blizzards, arctic ice and gale force winds? Would you have smiled at the sudden calmness after such elemental ferocity as I now do?

Everything inside the house has possibly changed since you left in 1960 – except the floors, the doors and the view and maybe the sounds of the birds. The nature and intensity of this ever-changing view through the window is both of ours – both yours and mine.

Susan ….

This is not just a pattern but a true testament to a beautiful woman who lived a very long life in a beautiful house facing the sea with harsh weather, managing on her own and living a full life. It is a pattern of love and integrity.
’Dear Susan’ in Aran weight is a great winter pullover entirely inspired by life in Shetland.

Grateful thanks to my test knitters for the Aran jumper –
Judi Hurst, Janet Benjafield, Cheryl De Ville and Tracie Bailey.

Happy Knitting.
From Tracey.

Dear Susan jumper is on ravelry

When I am lost, I go to the stones

Kaleidoscope Jumper

When I am lost, I come out here – to the base of Stanage Edge where the millstones lie. I eat breakfast and feel the gentle breath of a breeze. I can see for miles out towards Hope Valley, the stones are ancient – have been pushed and fallen, the rocks well climbed by amateurs and professionals alike and the paths well walked.
I have so many creative ideas that they are bursting and I’ve stopped to a point of disconnection because I measure myself by reward – but this place, this earthly place brings me back to me, to a core that I hadforget. The stones make me care again, connect and contribute to my creative process. I cannot compete with the millions of knitting patterns pushed out into the world that are for sale, nor do I want to but I know that this Kaleidoscope pattern is a very good one.

When I meet the millstones and the old stone trough, I knit, I eat, drink tea and I am grateful for my thoughts. I have had 3 ideas to put togethere with my Tree and star new sleeve and you will have to wait until I have finally made my choice.

I am heading to an artist residency at the base of Mount Fuji for the whole of December and I am working on a piece called between Silk and Paper, drawing on the Japanese concepts of Ma and Mono No Aware – You can read about it here

I’ve been working on the materiality of the pieces

But for now, I am very much enjoying my new knitted jumper – you could too, use your stash, make it yours, go out into the countryside and knit

Kaleidoscope Jumper

Size inclusive

For the last couple of weeks, I have had some very hurtful, negative, comments about my latest knitting design, from women on social media and in groups – often with multiple exclamation marks about their oppinion about my Kaleidoscope pattern not being size inclusive.

My design was made for me, lovingly and creatively. It took 4 months to knit and design and write, alter, chart, photograph, teach the test knitter and promote the pattern. I put the pattern out honestly, with care and great attention to detail yet I have been constantly hammered about the pattern not being size inclusive because it’s one size up to 44 chest.

To make it every size in this pattern, would be a completely new pattern for each size and a test knit also. It is made up of 44 stitch repeat so to make it work, it would either go up or down in increments of 44 stitches which affects the alignment, where the V neck sits, the exgtra decreases on the armpits and shoulders and then the size of the sleeve would alter each time to fit. This is not just a quick adjustment, each size would be a completely new pattern and test knit. Size inclusive is not a law. It is a design choice if that cannot happen. It would take 18 months to write 4 patterns and do 4 test knits.

But my pattern is just one person’s creative vision – Mine. It is, however, inclusive for boys and my friend shows that in the photo taken this afternoon. It’s a beautiful knit and I’m stopped all the time when I wear it – A little like, ‘that’s a nice puppy’, kinda stopping to stroke and touch.

The negative comments and exclamation marks that I have received this past two weeks have not knocked my confidence in this piece but has made me want to stop sharing, stop teaching online colour work skills and stop designing – so, I put a notice to reflec this on a Stranded Knits facebook group and we broke facebook posts in 10 minutes with over 100 positive comments (just one little snidey comment)

The post that I put on the Facebook group this afternoon re balanced me. The women were supportive and really understood how social media forums are a space for anyone to say anything they like but would not say in a conversation face to face. They were all calm and helpful because I said that I would not answer any negative comments. It went wild. Over 60 positive comments and my responses in about 10 minutes until FB stopped after the 100th.

here are a few of the comments:-

1 Size inclusivity really matters. But as someone who advocates for consumer rights, I find it’s most productive to focus our advocacy on major brands and big-name designers. People may not understand that for indie designers, scaling up complex patterns like this is indeed similar to writing a new pattern in each size—meaning it’s just not feasible. I’m sorry that as an indie designer with just a couple jumper patterns available, you’ve been caught up in these dynamics—but I hope you also understand the advocates’ perspectives and feelings. It’s such a challenging systemic issue.

2 I find that designing sweaters and publishing good patterns is just not worth my time. The return (number of patterns sold) vs. the investment (knit first test, find and supervise test knitters, write pattern, revise pattern, photograph item) is just not workable. Socks are a better return for me as far as writing patterns. I knit sweaters for myself (size 3X) or my loved ones occasionally.

I agree. The wool for me and the test knitter was £200 to cover everything that’s without all the hundreds and hundreds of hours

3 It gets a bit exhausting when the dreamer gets questioned on why wasn’t it the dream for everyone?

I get for plain patterns why some get ouchy that it’s not in many sizes, but for cable work, stranded work: it’s a lot of math and a lot of testing and even then is NOT a guarantee that your construction “works” on a body, even if it matches the inches. Hang and drape and look are very subjective. And then you, the designer, is who gets yelled at because they did make it in size 84” and they spent “a lot of time and a lot of money on this amount of yarn” and then the sleeve didn’t set right “on them”.

People as a whole: if ANY knit pattern doesn’t suit YOU, just edit it. Tinker with it. Frog it and start again. And by the time you’ve redone your sweater five times to make it work “for you” realize the designer would’ve had to do “that” a million fold, if they wanted to make the pattern include every conceivable body. You’re basically expecting a masterclass in custom knitting fitting, for an $8 pattern.

In all, there were too many comments and we were not allowed to add any more – they were automatically turned off.

Here is a beautiful Shetland comment from a lady who also designs –

Your hard work. Your pattern. Your design publication. Your artist license Folk can choose tae enjoy, support & purchase…or scroll on. Dinna pay da moaners (trolls) ony heed & dinna respond tae dem. I received a message fae some een telling me I didna hay tae write in Shetland dialect – as du can see, I stopped, joost fir dem…nah

Dinna stop being YOU Tracey Doxey and keep lovin’ whit you create

I felt stronger after the supportive comments and I will not stop being me but this post, I think, is about the hurt that women cause women on social media when they do not have an informed opinion – it is a dig.

here is the pattern. and yes, the additional sleeve is an extra pattern because it is a design in itself – and here also is the test knit image with the Tree and Star Sleeves.

Kaleidoscope Jumper pattern

Make of it what you will

It may be my last ever pattern 🙂

Bolt-on, Tree and Star sleeve pattern.

Above is an image of the alternate sleeve to the one that is included in the Kaleidoscope Jumper pattern. It is a Bolt on pattern called – Tree and Star Sleeve. Below are reasons why I published the pattern with Tree sleeves charts only and why I am producing a 2nd bolt on sleeve pattern.

Below are A Few Notes from the last page of my Kaleidoscope jumper pattern to explain some of my decisions.

Why is the Kaleidoscope Jumper pattern one size only?

It iis one size because the motifs of 44 stitches, dictate wherre the pattern lies – to increase the size, I would have to add one more motif, change where the neck lies in the pattern and calculate additional decreases at the shoulders and it would go on and on. I t would take e 6 months to make different sizes. I am just one person without tech support. It is actually easy to increase the size by knitting the jumper in UK 3:5mm needles rather than UK 3mm

Why did I knit the sleeve in the round from cuff up then graft it into the armpit?
Here’s the reason that I did the sleeves this way. Initially, I picked up the stitches around the arm hole to knit the sleeve in the round from the shoulder down to the cuff but I realised that if I knitted the tree motif, from the trunk first, as usual, the trees would be upside down, ending with the tree top at the cuff. So, I turned the motif around and swatched the tree from its top down the trunk base so that I could knit the Tree only sleeve from the armhole. But, knitting this way resulted in the stitches of the tree motif being visibly upside down starting from the shoulder, and I didn’t like that either. You can see the swatch on the right and how the stitches are visibly the wrong way. It is possible to do it this way but it will always look somehow upside down. But, if you want, you can knit the Tree sleeves from the armpit down to the cuff, with upside down motif stitches, it is your choice.

_{note upside down stitches}

So, I knitted the sleeve in the round from the cuff up then joined it at the arm hole by grafting it expertly into the armpit hole. I needed to explain why I knitted the sleeve this way as it might seem a little weird but the result is perfect trees knitted from the cuff up and all the stitches are perfectly the right way. I thought that doing the sleeve this way is worth this extra consideration in the name of neatness and accuracy

Why does this jumper pattern only have Tree sleeve charts?

I did a poll on Instagram and my website to ask what people which sleeve they would like for the jumper pattern. Hundreds of people answered. The options were: – 1: – just Tree sleeves or 2: – just Tree and Star sleeves which are the same as the body, or 3: – Both sleeve charts. Most people said that they would knit 1: – Tree sleeves only, but some wanted both charts, just in case. When asked if those people would consider paying more for the option of both sleeves to be included in the one pattern, even though there was more work charting a 2nd sleeve, knitting it, and writing a full pattern, they mostly said no. So, I have happily knitted Tree sleeves in my Kaleidoscope jumper because most people requested this and the Trees look a wonderful companion pattern and compliment the body.

What about the Tree and Star sleeve? Where can I get it?

My test knitter has knitted the Tree and Star sleeves, which are the same motif as the body. The Tree and Star sleeve chart pattern along with the Sanquhar alphabet pattern to enable you to add your initials and year of knitting to personalise your work, will be released separately to the jumper pattern, as an add-on so that the knitter can make their own choice of sleeve. The name of the bolt-on pattern will be, Tree and Star Sleeve Pattern. The reason that this is a separate bolt-on pattern, is because of the extra work to design, create and knit it as well as write the intricate charts and pattern notes. Plus it gives the knitter the choice to just pay for the original pattern or pay extra if they want and extra design.

So, if you would like to buy the Kaleidoscope pattern, it is here

I am also knitting a swatch of how to add your initials and the year when the jumper was made, into the sleeve, just above the cuff, in the Bolt on Tree and Star Sleeve pattern that will be out this week.

Thank you to everyone who has bought the Kaleidoscope Jumper Pattern it is here, if you want to go check it out.

Let me know what you think about the options for a 2nd sleeve pattern.

Kaleidoscope pattern update

Thank you to everyone who commented on my Instagram post on July 30^th when I asked what sleeve you would most like me to finish my jumper in, as I had already knitted the 1^st one in Trees only, not tree and star, like the body.

There were many comments to say what sleeves you’d like to see as the second one, on my latest Kaleidoscope, jumper design. To be precise, I had 166 comments and 544 likes on that post. I also added a poll on my Instagram stories to ask the same question, and below are the results for that.

So, for the first time, I actually did a real research survey to find out what you wanted. The results were really interesting.

The overall winning suggestion was that most of you just wanted Tree sleeves only in the pattern, just as I had already knitted with the first one, but a lot of you thought that I should add the alternative ‘Tree and Star sleeve chart’, to give the knitter options but some of you said that you wouldn’t pay extra for an additional sleeve pattern design even if it took me days to chart , test knit, write the pattern and instructions. This I found quite disheartening as the Kaleidoscope pattern is my most adventurous and my most perfect and I wanted to release it with 2 sleeve options but if people don’t want to recognise the work in that extra design, I have made a compromise.

I will release the Kaleidoscope jumper pattern within 2 weeks week AND I will follow up with a ‘Bolt-on’ pattern which is a chart of the alternative ‘Tree and Star sleeve, plus a Sanquhar alphabet chart for you to be able to personalise your knit with your initials and date above your cuff. This way, I will produce a beautiful pattern with the sleeves requested by the majority in my surveys. And, I will have an additional bolt on pattern with the 2^nd sleeve. The bolt on pattern has more work than a hat pattern and deserves to be recognised as a design in itself.

It’s 3 months since I started the project on 10th May. Not bad for a fast slow knit.

Please comment on what colours you’d like to see this jumper knitted on
I’m excited to bring this pattern out.

Below are a few comments from Instagram. You can follow me here on instagram for more updates and lots of photos

But, I think that the best way to find out about the pattern release, is to become a ‘friend’ of mine on ravelry, then I think you get an update when the pattern is published

Oh, I knitted the second sleeve in Trees only, and I am almost ready to graft the 2^nd sleeve into place, here is a video of the graft after I took the risk of grafting the sleeve into the armpit with double yarn for strength. I am most happy. The jumper has grafted shoulders, the sleeves expertly grafted into the armpit, a mitred V neck and the option of 2 different sleeve patterns plus a Sanquhar alphabet to knit your initials and the year into the design. I hope that you will knit it and make it personal to you.

My test knitter is knitting Tree and Star sleeves to match the body AND, I will also knit a Tree and Star sleeve with my initials and the year knitted into the work too. My test knit will be yellows and greens.

Let me know what you think in comments. Join me on Instagram to get more frequent updates and join as a friend in Ravelry to hear when the pattern comes out first.

Also, if you do want to, there is still the Tree and Star hat pattern to knit before the jumper, to get used to the motif, or after, to have as a twin set. I can’t wait to wear mine.

Just a few comments from my Instagram post asking which sleeve you would like to finish the design.

First of all: what a fantastic pattern! I love it!
😍😍😍 For me, I’d choose option 1, trees only. But I think I’d include both options in the pattern ❤️

Hi Tracey, I would probably knit the trees/stars option but would like to have the tree option open until I get to the sleeves in my project. And I would pay the double if that idea what it takes.

When will the jumper pattern be available? I will be in Shetland on 11-18 Aug and would love to know the amount of yarn and color codes to be able to buy yarn with me home to Denmark.

Hi Tracey! It’s a beautiful design 💙 I’m not in the position to be taking on a large project at the moment, but I’d choose Option 1. I do love symmetry. I’m not sure how many would be open to paying more for a potential 2nd sleeve option. But, if you design another sweater in the future in the same gauge, perhaps with a round/crew neck, or a cardigan

Choices! I’d probably like both sleeve designs because I’d be tempted to do one sleeve of each pattern 🧐 I like the deliberate similar but not matching!

I love the tree sleeve! As much as I’d enjoy the options I know in my heart I would still pick two tree sleeves. I’d also pay more to have the options. Could you release a second sleeve option as an add on pattern later to cover your work?

Could you sell a tree sleeve version and a tree and star only version as separate patterns, or charge a bit extra for a sleeve add-on? A tree only (including body) pattern would be great too

Trees for me as first choice ❤️❤️❤️

Trees on the second sleeve as well !

Both please Tracey

Trees only add a lovely interest.

I would love your new pattern to offer both options. Personally I think i would like the combo best but it’s a rare treat to have a choice. Keep up the good work my flower!

winner chosen. I hope that you’re all up for buying this exciting pattern

Hi! Such a gorgeous jumper! I probably would go for trees on both sleeves. The colours are amazing!! 😍😍😍

Levenwick Beach online Knit along – Smola Gloves

I pack the bike paniers for the beach – a place that I know is today in a wind storm. Laying the blanket upon the fine sand, making ready to start knitting the gloves with my online Ravelry Knit group is wonderful moment. It is THE perfect location to sit and knit, think, feel – the sea rolling and heaving in front of me, the bike tyres being quickly buried under small sand drifts behind me. I dig into the bank of the crescent beach and unpack a speckled banana and Christmas biscuits in an old tin, my 5 year old Thermos from Japan, my note book, pen, yarn and chart.

I sit as if a child on a picnic for no one and watch the weight of water lift the surface of the sea in front of me. Waves break and reach the shore line as if they move along the keys of a piano – right to left along the entire long beach.

Sand grains settle on the surface of my tea as if in a grain huddle, in the base of the open biscuit tin, on the blanket in the shape of the base of my shoe, in the threads in the ball of yarn, on the canvas yarn bag that travelled a thousand miles, in my hair, on the scarf.

**I am here, this is me.**
**Sand blown, wind blown, sea salt tasting.**

I scan the sea for whales – the whales that came in to the bay last Weds when I was at St Ninian’s. The weight of the sea water, rising and sinking, ebbing and flowing – covering secrets below its surface in the cold, cold depths of ancient sea sounds.

Today is the first day of my online Ravelry Knit Along where you can join me until 12^th October in a group to knit the Smola gloves – named after my home in Shetland. You can ask questions, add photos, let me see your projects. THANK you to all those who have bought the pattern for the gloves already.

If you would like to join this online group – here is the pattern and here is the ravelry group, if you would like to join

Happy knitting, happy sea and beach thoughts – If you’d like to join me on the beach next year, I will be offering Air B&B for single lady crafters, artists and explorers. Message me if you are interested in staying in my 200 year old house by the sea.

Making Marks. Shetland wall flowers

Dear lover of Yarn Stories and of the tactile art of knitting,

Making marks at the border of two paint colours.

I have designed a hat which harks back to my wanderings across Shetland. This hat didn’t just happen. It has a story, as have all the knitted articles still in Shetland. I wasn’t born in Shetland but my heart resides there. I can say that my hat was ‘inspired by’ but that feels too shallow. The hat was made like a recipe, gathering the ingredients by sight, sound and touch. This hat recipe has painted flowers in it, abandoned crofts, tussock grass, boggy land, a home without a roof, a lean-to kitchen and women and their creativity in it.

Painted by a woman, I think, by a woman with cold hands and an eye for detail. She will have looked at that wall and maybe, whilst knitting or walking or crofting or cutting peats, or caring for the children or family, she might have thought how she would like to make the walls pretty. Stencils seem visible in some homes. Where did the stencils come from to arrive at such remote, isolated homes? This unassuming row of flowers is deeply moving in its simplicity. Far away from neighbours, with a view of the sea, between the window and the sink is a row of 8 pointed flowers. The point where the energy of present and past meet are at the end of my touching finger and the disintegrating row of flowers. In some parts they have been painted over, but they are clear and proud. I ache at the beauty of the most simple stamped design carefully placed in groups of four V shapes to make an 8 pointed flower.

When did she think this pattern up? How did she do it? As I step back, I feel the same sense of pride that she must have when stepping back to see her row of flowers in her newly fitted kitchen in the lean to. A sink, a tap inside, cupboards and a border of flowers. I can see it now. The cups and plates and pans, with a view of the sea. This moment of really seeing takes my breath away. I stay for only a few minutes. Long enough to touch the woman that lived here long ago through her creativity and eye for detail and the end of my right forefinger.

Since September 2015, when I first visited Shetland for Wool Week, I’ve revisited the Islands many times. Over the years, I’ve stayed for weeks and months at a time, including stays with Barbara in her beautiful house built by a Sea Captain overlooking the sea in Lerwick, an R&D trip to Unst, a 4-week artist residency in Scalloway, 7 weeks with Mati Ventrillon on Fair Isle and 2 weeks in Brindister with endless stays in between. Returning to Shetland has always been about knitting. During these visits I began to build a strong love for finding the derelict, abandoned croft houses that are visible across Shetland, to see the interiors to in some way connect with the women who once lived in them. I’ve looked at censuses to find out who lived in certain homes and looked at their professions, I’ve looked at photographs of women in books ploughing the Fair Isle land who are looking straight into the camera lens, then I have gone to the walled old grave yard by the sea at the South End of Fair Isle and sought out those women by their names on the stones. I’ve worn old original Fair Isle cardigans, sat in the Lerwick library for hours and hours pouring over the Shetland knitting books and crossed the seas to touch and feel knitwear created by absolute artists of their time. All of the knitted pieces that are still in Shetland today, tell a story – a story of the woman who made those knitted pieces – the work bears a story that is woven into every stitch.

On my walks across Shetland, I found and looked at many derelict croft houses which were the homes of knitters, crofters, mothers, fishers, daughters and ‘spinsters’. The more I looked at, and went inside the homes, I felt more of a connection to the women who had lived there through visible signs of the past. My most favourite croft houses, which I visit each time I return, bear the marks of flowers, and leaves painted onto the walls. Each design is carefully and beautifully made by the families who used to live in those homes. I can imagine a woman carefully stencilling or stamping the flowers in a border around the wall of the lean-to kitchen. Some wall painted decorations particularly move me because they are so deeply powerful in their simplicity. I gently touch the patterns to feel through history to a time when a woman painted them long ago in a past that I long to know about.

As I walk away, always, the lasting memory is of the painted walls and it is these that I am honouring within this pattern. This hat pattern is inspired by the disintegrating flowers and leaves that I have found painted on croft house walls and the hat is made as a testament to the gendered craft of knitting, home, and to the beautiful women of Shetland, who knitted all of their lives and made homes a welcoming place.

here, you may find the Shetland Wall Flowers pattern.

https://www.ravelry.com/patterns/library/shetland-wall-flowers

Sea Urchin- a hat, a story, a pattern and a design.

Knitting has always been at the base of my creative practice. After spending over 2 months in Shetland, I have just developed a pattern, design sheet, story for any knitter to make. But the design goes back at lease five years to when I first started making this hat. Here’s a new hat and a new story.

Dear lover of yarn and of the tactile act of knitting,

This hat design has been long in the making. I’m producing it as a design sheet because the pattern can be followed to the stitch and colour, or you can use it as a springboard to develop your own ideas by choosing your colours and even a different tree and star motif to the one I have chosen to incorporate into your hat pattern – you can make it your design too.

Over the years, I’ve made this hat using varying yarns and colours. I’ve blocked it in to a shape that resembled a slouching hat or a kind of beret. I still have two of these hats from 2015, and I’ve worn them in all weathers and in many countries. I’ve left one and lost it in places but I have always retraced my steps and gratefully been reunited with the hat that now is part of me every winter.

Seeing the photos of this early hat, I see a different shape entirely to the one that has morphed and shaped to my head through being soaked in gale force rains, being stuffed in pockets and in bags and left for months in a drawer. In November 2019, I was living in Brindister, West Burrafirth, Shetland and wore my old hat every day whilst walking around the voe. By now, its shape had morphed into a basin shape and I felt lost without it if I ever forgot it any winter day – especially in the piercing winds.

In Brindister, when walking around the voe, I started to find sea urchin shells which had been discarded by the seagulls. Finding the first one was like finding the first four-leafed clover when I was a kid. For years, around the ages of 9 – 13, it became a solitary past time of mine to go in search of four-leafed clovers from near where I lived and then I’d press them in books. For years, when opening a book (there weren’t many in our house) dried 4,5,6 and 7 leafed clovers fluttered to the ground. Finding sea urchin shells at Brindister, became my new four-leaf clover hunt and I became obsessed to find a perfect, un-smashed, complete one. I gathered too many to carry in my hands and used my hat to get them back to the croft house and this is when I saw similarities both the shape of hat and crown design and the 5 segmented pattern on the urchin shells.

November 2019, Brindister, West Burrafirth.

Over the last four weeks, I have made a new pattern / design sheet. It tells the story of the updated design and opens up the opportunity for the knitter to use the pattern as a springboard to create their own hat design. Without knitting, I would not be the maker, designer, creator of art that I am today. Knitting is the very foundation of my creativity.

The pattern is here if you want to have a look.

https://www.ravelry.com/patterns/library/sea-urchin-shetland-hat